Refugees Welcome Film Festival: Shorts

Y, 2017, R: Gina Wenzel mit Maelle Giovanetti, Gina Haller, 23 Min, OmeU;

Spielen [Games] 2017, R: Marcus Siebler mit Stefan Reischl, Andreas Birkeneder, Annika Ziegltrum, 16 Min, OmeU;

Zingari D’Acqua [There are schipwrecks even here] 2017 R: Davor Marinkovic mit Toni Andretta, Matteo Zandoná, 37 Min, OmeU;

Romanian Diary. Muslim Diary 2017, R: Carmen Lidia Vidu, 11 Min, OmeU.

 

Y 2017, R: Gina Wenzel mit Maelle Giovanetti, Gina Haller, 23 Min, OmeU

Laura is a self-confident young woman, a member of the new “Me Me Me Generation“, also known as “Generation Y”. Spoilt for choice by life’s abundance of options, Laura has lost track of her own aims and ideals. She’s always looking for something, she just doesn't know what. One night she meets Safi, who has fled her homeland. The encounter gives Laura food for thought.


Spielen [Games] 2017, R: Marcus Siebler mit Stefan Reischl, Andreas Birkeneder, Annika Ziegltrum, 16 Min, OmeU

The European migrant crisis and the impact on German friendships and society. Over 28 million Germans watched the Quarter Final of the European Football Championship Germany v. Italy on 2nd July 2016. Among them were Michael and Alexander, two old friends, who, with their partners, wanted to spend a pleasant evening together. Until a current topic overcomes them both.

A film about chess, black and white, and the emergence of deep divisions between two friends.

"Ich weiß bloß nicht, ob wir zwei auch die gleichen Sorgen teilen..."

Über 28 Millionen Deutsche sehen am 2. Juli 2016 das Viertelfinalspiel der Fußball-Europameisterschaft Deutschland gegen Italien. So auch zwei alte Freunde, die mit ihren Partnerinnen einen angenehmen Abend verbringen wollen. Bis ein aktuelles Gesprächsthema über beide hereinbricht…

Ein Film über Schach, schwarz/weiß und sich auftuende Gräben zwischen zwei Freunden.


Zingari D’Acqua [There are schipwrecks even here] 2017 R: Davor Marinkovic mit Toni Andretta, Matteo Zandoná, 37 Min, OmeU

Asso, with Dino and Poet, are, as always, in an inn, playing with cards and drinking wine with the owner. It seems a day as always when Nodàr, the local notary, comes into the inn with terrible news: four refugees are taking shelter in their little town, in the North East of Italy. In the meanwhile, another unexpected news is coming. A charming girl enters the inn looking for some bottles of water. The situation takes a turn for the worst when they discover that she’s a coworker of Marco, the social worker that create, in their little town, the new reception center for the refugees.


Romanian Diary. Muslim Diary 2017, R: Carmen Lidia Vidu, 11 Min, OmeU

We risk to become irrelevant to the community and danger lurks our vanity and leads to isolation. We only listen to opinions that confirm our own. "Romanian Diary. Muslim Diary" is intended as a communication vehicle, an invitation to dialogue. How it influences our location and how much we influence the community to which we belong? Is Culture one of the pillars of the community? How does Romania look less touristy and less as seen on television?

 

 

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